![]() Premiere Pro also has a dedicated color correction workspace that you can customize completely to your workflow. You can adjust white balance, exposure, contrast, highlights, shadows, saturation, ects and all can be activated with keyframes. Their most impressive tool is the Lumetri color tool which offers a huge amount of color manipulation like HSL Qualifier which FCPX does not offer. They offer pro-level color correction tools with powerful features that editors can now access in their workspace where previously it was in a separate software. When it comes to color correction Premiere Pro definitely has more traction compared to not just Final Cut Pro but most other applications. You can create multiple control points allowing you to adjust each of the primary colors to a very specific point and gives an incredible insight to monitor your color usage. When using it you can adjust luma, red, green, and blue channels and also other colors by using the eyedropper tool. The color curves is another powerful but basic tool Final Cut and most other softwares provides. It is surprisingly powerful and intuitive making it a fast and easy tool to use. You can also separately adjust the brightness, saturation, shadows, midtones, or highlights for each wheel. It has control pucks in the center that allows you to move an image towards red, green, and blue. The color wheel is the classic, old-school way to digital color correction. This made it a game changer by adding color wheels, curves, hue/saturation curves, and support for LUTs. With this new update it greatly improved and expanded the tools and features of what Final Cut provided with color. Then on Dec 14th, 2017 Apple released Final Cut Pro X (10.4) a new version with the most significant changes being targeted towards color. Compared to a tradition color wheel the color board showed the same information but in a flat liner view as mentioned above. The only problem with this was if you have experience using photo editing or professional color correction applications it might feel quite foreign to you. The color board is a simple linear view of your color settings which makes it easy and intuitive for a first time user. Video Tutorial: Learn How to Create Sun Stars with This Quick TipĬover image via Creative Travel Projects.Since the start of Final Cut Pro it has always included color correction by allowing the user to use a tool called the color board.Learn What a Circular Polarizer Does with this Quick Tutorial.FREEBIE: Over 80+ FREE Home-Inspired Sound Effects.Video Tutorial: Three Tips for Salvaging Overexposed Video.5 Essential Tips and Tools for Editing in DaVinci Resolve.Liked the footage in the13 Free LUTs trailer? Here are the clips that were used:įor more color correction tool tip and advice, check out these articles: The download will include the free LUTs, along with some documentation that will help you install the. To download the free LUTs, just click the button below. Perfect for sRGB and Rec 709 footage, LUTs like “Cobi 3” and “Trent 18” add a soft touch of color to your footage. Free Cinematic LUTsĭarken the shadows with bold cinematic LUTs like “McKinnon 75” and “Pitaya 15.” Free LUTs for Standard Footage With free LUTs like “Faded 47” and “Tweed 71,” you can give your footage a faded vintage look - reminiscent of old, processed photographs. We decided 13 free LUTs was not enough so we have expanded this post to include 35 more! Free Vintage LUTs I had a lot of fun making these, and hopefully you’ll get some use out of them.ĭownload 13 FREE Custom LUTs for Log Footage As with most LUTs, a lot of these looks are based off of movie scenes that I like, or film stocks that I always reach for when shooting photography.įor the record, I think my favorite LUT from this pack, and one that I think I’ll find myself using quite often as a base-LUT, is called “NaturalBoost.” In my opinion, it has just enough of that classic teal/blue look with enough of a soft roll-off for other scenarios. From a crisp, blue morning scene to a lush, green forest, there are different looks for most occasions in here. ![]() There’s a look for various situations included in this download. Varied Looks for Different Types of Scenes If this is the case, that’s all you need to do if your footage is in REC709, or something like it. ![]() Most editing software has the option to raise or lower the intensity of the LUTs. ![]() So, if you’re shooting on a more standard color curve, these LUTs will potentially look too harsh. This means that they work primarily well on shots with a flatter look. The main thing to consider is that these LUTs were designed for Log footage. In the above video, Robbie Janney gives a walkthrough on how to load up LUTs and give them a try.
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